{"title":"all works","description":"","products":[{"product_id":"reydi-tradurin","title":"reyði tráðurin (for organ)","description":"\u003cp\u003e\u003ci\u003ereyði tráðurin\u003c\/i\u003e was originally composed for robert bennesh, organist at lund cathedral in sweden, who premiered the piece in 2021. from the beginning, the piece seemed to resonate with performers and audiences alike, soon finding its way to organs in iceland and the faroe islands. shortly after, the piece was entered into the “organ taurida — new classics” competition, where \u003ci\u003ereyði tráðurin\u003c\/i\u003e made it to the final as one of the top ten compositions.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003ethe title refers to the nordic idiom of “the red thread,” a metaphor for a common theme connecting a series of ideas, much like the american notion of a “through line.” in his autobiography, hans christian andersen invokes the red thread when describing the guiding presence of faith in his life. similarly, \u003ci\u003ereyði tráðurin \u003c\/i\u003eis built around a central theme — a simple melody that weaves its way through the music like a red thread.\u003c\/p\u003e","brand":"eli tausen á lava","offers":[{"title":"solo organ \/ 0' 00\"–4' 59\"","offer_id":44977372168373,"sku":"","price":99.95,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0667\/5536\/2997\/files\/PREVIEW1elitausenalava-reyditradurin_fororgan.png?v=1739719550"},{"product_id":"sorgenfri","title":"sorgenfri (for piano)","description":"\u003cp\u003e\u003cspan\u003eduring the cold and long winter months when I was living in malmö, I used to take the bus to school because it was too cold and sometimes too slippery to bike. route 3 would drive from värnhem, where I was living, straight down through an area called \u003cem\u003esorgenfri\u003c\/em\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ei always found the name of that area, meaning \u003c\/span\u003e\u003cem\u003efree of sorrow\u003c\/em\u003e\u003cspan\u003e, profoundly and poetically beautiful, seeing as there was a large \u003c\/span\u003e\u003cspan\u003egraveyard in the centre of it.\u003c\/span\u003e\u003c\/p\u003e","brand":"eli tausen á lava","offers":[{"title":"solo piano \/ 0' 00\"–4' 59\"","offer_id":44977371742389,"sku":"","price":99.95,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0667\/5536\/2997\/files\/PREVIEW1elitausenalava-sorgenfri.png?v=1739720893"},{"product_id":"heart","title":"heart (for piano)","description":"\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan\u003ewhen i was little, i loved playing video games. my favorite video game was called kingdom hearts, and I was obsessed with its story, its characters and its music. now, I haven't played kingdom hearts for several years, but its universe is still near and dear to me.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ewhen i started writing this piece, i immediately recognized that something about the beginning reminded me of yoko shimomura's soundtrack for the kingdom hearts series. so I decided to name it \u003c\/span\u003e\u003cspan\u003e\u003cem\u003eheart\u003c\/em\u003e \u003c\/span\u003e\u003cspan\u003ein honour of one of my favorite \u003c\/span\u003e\u003cspan\u003echildhood pastimes.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"eli tausen á lava","offers":[{"title":"solo piano \/ 0' 00\"–4' 59\"","offer_id":44977373577397,"sku":"","price":99.95,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0667\/5536\/2997\/files\/PREVIEW_1_eli_tausen_a_lava_-_heart.png?v=1739721049"},{"product_id":"mururin","title":"múrurin (for string quartet)","description":"\u003cp\u003e\u003cspan\u003eit's the early 1300s. In the village of kirkjubøur in the medieval faroe islands, bishop erlendur has just started construction of the st. magnus cathedral, which will be the largest and most beautiful cathedral in the archipelago.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp align=\"justify\"\u003e\u003cspan\u003eit is unknown whether the cathedral was ever finished, but seven hundred years later, only the walls remain as a reminder of bishop erlendur's dream. among the islanders, the ruins are simply known as \u003c\/span\u003e\u003cem\u003emúrurin\u003c\/em\u003e\u003cspan\u003e, \"the wall\".\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"eli tausen á lava","offers":[{"title":"string quartet \/ 5′ 00″–9′ 59″","offer_id":44977372725429,"sku":"","price":249.95,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0667\/5536\/2997\/files\/PREVIEW1elitausenalava-mururin.png?v=1739721256"},{"product_id":"gullregn","title":"gullregn (for cello and piano)","description":"\u003cp\u003e\u003ci\u003egullregn\u003c\/i\u003e, commissioned by kristina á váli and young woong cho, was inspired by the sight of the laburnum tree, which can be found in a few places around the faroe islands. the faroese name of the tree, which gives the piece its title, translates to “golden rain.”\u003c\/p\u003e\n\u003cp\u003ethis piece includes a short poem that may be recited in faroese or english (or both) before performances:\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch3\u003egullregn\u003c\/h3\u003e\n\u003cp\u003edimmið leggur seg\u003c\/p\u003e\n\u003cp\u003eundan skuggamyndini\u003c\/p\u003e\n\u003cp\u003eljósketur gyltar\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cem\u003elaburnum\u003c\/em\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003edarkness creeping in\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ehanging from the silhouette\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003echains of golden light\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003ecopyright © 2023 eli tausen á lava\u003c\/p\u003e","brand":"eli tausen á lava","offers":[{"title":"cello \u0026 piano duo \/ 0' 00\"–4' 59\" \/ score only","offer_id":44971096047797,"sku":"","price":149.95,"currency_code":"DKK","in_stock":true},{"title":"cello \u0026 piano duo \/ 0' 00\"–4' 59\" \/ score and parts","offer_id":44971096080565,"sku":"","price":199.95,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0667\/5536\/2997\/files\/PREVIEW_1_eli_tausen_a_lava_-_gullregn.png?v=1739721502"},{"product_id":"reydi-tradurin-for-cello-and-piano","title":"reyði tráðurin (for cello and piano)","description":"\u003cp\u003ethis is an arrangement of \u003cem\u003ereyði tráðurin\u003c\/em\u003e for cello and piano.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ereyði\u003c\/em\u003e \u003ci\u003etráðurin\u003c\/i\u003e was originally composed for robert bennesh, organist at lund cathedral in sweden, who premiered the piece in 2021. from the beginning, the piece seemed to resonate with performers and audiences alike, soon finding its way to organs in iceland and the faroe islands. shortly after, the piece was entered into the “organ taurida — new classics” competition, where \u003ci\u003ereyði tráðurin\u003c\/i\u003e made it to the final as one of the top ten compositions.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003ethe title refers to the nordic idiom of “the red thread,” a metaphor for a common theme connecting a series of ideas, much like the american notion of a “through line.” in his autobiography, hans christian andersen invokes the red thread when describing the guiding presence of faith in his life. similarly, 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piano.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ereyði\u003c\/em\u003e \u003ci\u003etráðurin\u003c\/i\u003e was originally composed for robert bennesh, organist at lund cathedral in sweden, who premiered the piece in 2021. from the beginning, the piece seemed to resonate with performers and audiences alike, soon finding its way to organs in iceland and the faroe islands. shortly after, the piece was entered into the “organ taurida — new classics” competition, where \u003ci\u003ereyði tráðurin\u003c\/i\u003e made it to the final as one of the top ten compositions.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003ethe title refers to the nordic idiom of “the red thread,” a metaphor for a common theme connecting a series of ideas, much like the american notion of a “through line.” in his autobiography, hans christian andersen invokes the red thread when describing the guiding presence of faith in his life. similarly, 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piano.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ereyði\u003c\/em\u003e \u003ci\u003etráðurin\u003c\/i\u003e was originally composed for robert bennesh, organist at lund cathedral in sweden, who premiered the piece in 2021. from the beginning, the piece seemed to resonate with performers and audiences alike, soon finding its way to organs in iceland and the faroe islands. shortly after, the piece was entered into the “organ taurida — new classics” competition, where \u003ci\u003ereyði tráðurin\u003c\/i\u003e made it to the final as one of the top ten compositions.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003ethe title refers to the nordic idiom of “the red thread,” a metaphor for a common theme connecting a series of ideas, much like the american notion of a “through line.” in his autobiography, hans christian andersen invokes the red thread when describing the guiding presence of faith in his life. similarly, 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i played through it for the first time, the rain struck the window with growing intensity, as if the piece had pulled the storm into the room with me.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp align=\"justify\"\u003e\u003cspan\u003ewhenever i return to this music, i see that rain against the glass, but i also see flowers blooming, leaves drifting to the ground, the sun breaking through heavy clouds, waves shattering against the shore. an ordinary evening. a day filled with purpose. a warm kiss. a cold goodbye.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp align=\"justify\"\u003e\u003cspan\u003eplaying it feels like standing in a field of experience.\u003c\/span\u003e\u003c\/p\u003e","brand":"eli tausen á lava","offers":[{"title":"solo piano \/ 5′ 00″–9′ 59″","offer_id":45089639727285,"sku":"","price":99.95,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0667\/5536\/2997\/files\/PREVIEW1elitausenalava-inafield.png?v=1739721751"},{"product_id":"kilimanjaro","title":"kilimanjaro (for piano)","description":"\u003cp\u003ekilimanjaro is the highest mountain in africa — a dormant volcano, towering above the tanzanian landscape. its name is thought to mean “unclimbable” or “that which defeats.”\u003c\/p\u003e\n\u003cp\u003estill, people climb it.\u003c\/p\u003e\n\u003cp\u003ei think there’s something in that — something about perseverance, about standing firm agains the impossible, about continuing even when the path is steep and uncertain. this piece carries that feeling: steady, unwavering, always carrying on.\u003c\/p\u003e","brand":"eli tausen á lava","offers":[{"title":"solo piano \/ 0' 00\"–4' 59\"","offer_id":45109406761141,"sku":"","price":0.0,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0667\/5536\/2997\/files\/FREE_eli_tausen_a_lava_-_kilimanjaro.png?v=1741735588"},{"product_id":"watching-fireflies-for-piano","title":"watching fireflies (for piano)","description":"\u003cp\u003ei have always loved hayao miyazaki’s films. there’s something about their quiet magic — how they hold both innocence and depth, simplicity and wonder. paired with joe hisaishi’s music, they feel like dreams you can step into.\u003c\/p\u003e\n\u003cp\u003ethis piece is a soundtrack for an imagined scene — two people sit beneath a great tree late at night, the air thick with warmth and something unspoken. millions of fireflies drift across the sky. their fingers brush, then intertwine.\u003c\/p\u003e","brand":"eli tausen á lava","offers":[{"title":"solo piano \/ 0' 00\"–4' 59\"","offer_id":45148129034421,"sku":"","price":99.95,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0667\/5536\/2997\/files\/PREVIEW1elitausenalava-watchingfireflies.png?v=1741003554"},{"product_id":"200-kmt-a-oyggjarvegnum-for-organ","title":"200 km\/t á oyggjarvegnum (for organ)","description":"\u003cp\u003eon streymoy, the largest of the faroe islands, there is a winding mountain road that stretches from tórshavn to the northern villages. it’s called \u003ci\u003eoyggjarvegurin\u003c\/i\u003e — ‘the island road.’\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003efor many young people in the faroes, driving on \u003ci\u003eoyggjarvegurin\u003c\/i\u003e is a rite of passage of sorts. late at night, with no streetlights, no houses, and no one to slow you down, the road becomes something else entirely.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e200 km\/t á oyggjarvegnum\u003c\/i\u003e translates to ‘125 mph on the island road.’\u003c\/p\u003e","brand":"eli tausen á lava","offers":[{"title":"solo organ \/ 5′ 00″–9′ 59″","offer_id":45221175263413,"sku":"","price":99.95,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0667\/5536\/2997\/files\/PREVIEW1elitausenalava-200kmtaoyggjarvegnum.png?v=1743178557"},{"product_id":"fur-anela-for-piano","title":"Für Anela (for piano)","description":"\u003cp class=\"\"\u003eIn 1810, Ludwig van Beethoven composed \u003cem\u003eFür Elise\u003c\/em\u003e — a piece that remained unpublished until 40 years after his death, only to become one of his most iconic works. 149 years later, in 1976, Arvo Pärt wrote \u003cem\u003eFür Alina\u003c\/em\u003e, a seminal \u003cem\u003etintinnabuli\u003c\/em\u003e work that would go on to define much of his musical language.\u003c\/p\u003e\n\u003cp class=\"\"\u003eNow, 49 years after \u003cem\u003eFür Alina\u003c\/em\u003e and 215 years after \u003cem\u003eFür Elise\u003c\/em\u003e, I have chosen to take part in this tradition. \u003cem\u003eFür Anela\u003c\/em\u003e was written as a birthday gift for my dear friend, the Icelandic pianist Anela Bakraqi, whom I came to know during my time at the Malmö Academy of Music in Sweden.\u003c\/p\u003e","brand":"eli tausen á lava","offers":[{"title":"solo piano \/ 5′ 00″–9′ 59″","offer_id":52717817036981,"sku":null,"price":99.95,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0667\/5536\/2997\/files\/FurAnelaPREVIEW1_d5bcd704-70bb-488d-8954-c352cdfa7d89.jpg?v=1781784634"},{"product_id":"bara-for-guitar","title":"bara... (for guitar)","description":"\u003cp class=\"\"\u003e\u003cem\u003eBara\u003c\/em\u003e (BEAH-rah) is a Faroese word that can mean “only” or “just,” yet it also carries a range of subtle implications. It can express hope, disappointment, solitude, and companionship. Phrases like \u003cem\u003ebara eg \u003c\/em\u003e(“just me”) and \u003cem\u003ebara nú \u003c\/em\u003e(“if only”) capture longing; \u003cem\u003ebara vit \u003c\/em\u003e(“just us”), connection; \u003cem\u003ebara ikki \u003c\/em\u003e(“anything but”), a hope that something will not happen; and \u003cem\u003eikki bara bara\u003c\/em\u003e (“no small feat”), an acknowledgement of a challenge overcome.\u003c\/p\u003e\n\u003cp class=\"\"\u003eIn this piece, I wanted to explore how \u003cem\u003ebara \u003c\/em\u003eexpresses both presence and absence at once. It invites you to inhabit that in-between space where ambiguous, mixed emotions live.\u003c\/p\u003e","brand":"eli tausen á lava","offers":[{"title":"solo guitar \/ 5′ 00″–9′ 59″","offer_id":52717935231157,"sku":null,"price":99.95,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0667\/5536\/2997\/files\/baraPREVIEW1.jpg?v=1781789755"},{"product_id":"stonemason-for-piano","title":"Stonemason (for piano)","description":"\u003cp\u003e\u003ci\u003eStonemason\u003c\/i\u003e is composed as a musical offering to that spirit which moves people to build high towers, castles, and cities. It is a meditation on those who have dedicated their lives to build great structures of wood, stone, steel, and glass.\u003c\/p\u003e","brand":"eli tausen á lava","offers":[{"title":"solo piano \/ 0' 00\"–4' 59\"","offer_id":52830542921909,"sku":null,"price":99.95,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0667\/5536\/2997\/files\/StonemasonPREVIEW1.jpg?v=1784660222"},{"product_id":"the-mystery-of-the-cathedrals-for-wind-quintet","title":"The Mystery of the Cathedrals (for wind quintet)","description":"\u003cp class=\"\"\u003e\u003cem\u003eThe Mystery of the Cathedrals \u003c\/em\u003eis a book by the French alchemist Fulcanelli. Published 100 years ago, in 1926, it puts forward the idea that a symbolic language is encoded in the architecture of cathedrals all over Europe, revealing the secrets of the alchemical Magnum Opus — for those with eyes to see.\u003c\/p\u003e\n\u003cp class=\"\"\u003eFulcanelli was reputed to have completed the Magnum Opus, i.e., the transmutation of lead into gold or the creation of the philosopher’s stone, in the presence of a chemist, two physicists, and a geologist. After this, Fulcanelli disappeared and was never seen or heard from again. To this day, the true identity of Fulcanelli remains unknown, but \u003cem\u003eThe Mystery of the Cathedrals \u003c\/em\u003ehas become a seminal work in contemporary alchemy.\u003c\/p\u003e","brand":"eli tausen á lava","offers":[{"title":"wind quintet \/ 5′ 00″–9′ 59″ \/ score only","offer_id":53062072434869,"sku":null,"price":249.95,"currency_code":"DKK","in_stock":true},{"title":"wind quintet \/ 5′ 00″–9′ 59″ \/ score \u0026 parts","offer_id":53062834913461,"sku":null,"price":349.95,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0667\/5536\/2997\/files\/TMOTCPREVIEW1.png?v=1787730606"},{"product_id":"miracle-of-fatima-for-string-quartet","title":"Miracle of Fátima (for string quartet)","description":"\u003cp class=\"\"\u003eOn October 13, 1917, tens of thousands people witnessed a fantastical display in the sky above the Portuguese town of Fátima. In the months leading up to the event, three shepherd children claimed to have been visited by an apparition of the Virgin Mary who told them she would perform a miracle on that day.\u003c\/p\u003e\n\u003cp class=\"\"\u003eOn the day prophesied, approximately 70,000 people gathered in anticipation of the miracle. When the clouds parted after a period of rain, the sun appeared as a spinning disk giving off multicolor lights. At one point, it plunged towards the earth, frightening the masses, before zig-zagging back up to its original position. The display lasted for about ten minutes.\u003c\/p\u003e\n\u003cp class=\"\"\u003eTo this day, the event remains a mystery. Could it have been natural aerial phenomena? Optical effects caused by staring at the sun? A visitation by a UFO? Or a true miracle? In any case, tens of thousands of witnesses experienced \u003cem\u003esomething \u003c\/em\u003eon that day. The event has since become known as the Miracle of the Sun or the Miracle of Fátima.\u003c\/p\u003e","brand":"eli tausen á lava","offers":[{"title":"string quartet \/ 5′ 00″–9′ 59″ \/ score only","offer_id":53064053326005,"sku":null,"price":249.95,"currency_code":"DKK","in_stock":true},{"title":"string quartet \/ 5′ 00″–9′ 59″ \/ score \u0026 parts","offer_id":53064053358773,"sku":null,"price":349.95,"currency_code":"DKK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0667\/5536\/2997\/files\/MOFPreview1.png?v=1787731945"}],"url":"https:\/\/elitausenalavamusic.com\/collections\/all-works.oembed?page=2","provider":"eli tausen á lava","version":"1.0","type":"link"}